Play Along Piano

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SDG

SDG

0:45	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	10	0	0	5	51%
	9	0	0	5	100%
View all 20 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	10	0	5	51%
	9	0	5	100%
	9	0	5	100%
B♭ Clarinet	13	3	5	100%
C Trumpet	13	3	5	100%
English Horn	15	0	5	100%
Flute	13	3	5	100%
Oboe	9	0	5	100%
Organ LH	9	0	5	100%
Organ RH	13	3	5	100%
Piccolo	9	0	5	100%
Picolo	13	3	5	100%
Soprano/Alto	13	3	5	100%
Tenor/Bass	14	0	5	100%
Voice	13	3	5	88%
	13	0	5	88%
Contrabassoon	10	0	5	51%
Double Bass	10	0	5	51%
Pedal	10	0	5	51%
pedal Flute	10	0	5	51%

SDG

4:01	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	5	3	6	100%
Tenor/Bass	15	6	2	6	100%
Contrabass	10	2	1	6	50%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	5	3	6	100%
Tenor/Bass	15	6	2	6	100%
Contrabass	10	2	1	6	50%

Turn your eyes upon Jesus.

SDG

1:13	Est. Play Time
32	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	4	5	100%
	15	4	5	100%
Contrabass	11	3	5	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	13	4	5	100%
	15	4	5	100%
Contrabass	11	3	5	50%

SDG

0:57	Est. Play Time
24	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S A	11	2	6	100%
T B	13	3	6	100%
Bass	11	2	5	63%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S A	11	2	6	100%
T B	13	3	6	100%
Bass	11	2	5	63%

SDG

1:30	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	9	0	2	3	50%
	10	0	3	3	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	9	2	3	50%
	10	3	3	100%
Soprano/Alto	12	1	3	100%
Tenor/Bass	16	4	3	100%
Violin	9	0	3	100%
Contrabass	9	2	3	50%
Viola	7	1	3	50%

SDG

1:05	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	13	6	4	3	96%
	9	3	0	2	96%
Singstimme	8	0	0	4	74%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	13	6	4	3	96%
	9	3	0	2	96%
Singstimme	8	0	0	4	74%

SDG

1:06	Est. Play Time
24	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	10	1	3	100%
Tenor/Bass	14	2	5	100%
Contrabass	10	1	5	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	10	1	3	100%
Tenor/Bass	14	2	5	100%
Contrabass	10	1	5	50%

Behold the lamb of God, Messiah Händel.

SDG

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I, 2nd	18	0	3	8	100%
Violin II, 2nd	20	0	4	9	100%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I, 2nd	18	0	3	8	100%
Violin II, 2nd	20	0	4	9	100%
Violins I	18	0	3	8	100%
Violins II	20	0	4	9	100%
Bassoon, Bassoon	16	0	3	8	94%
Cello	16	0	3	8	94%
Contrabass	17	0	3	8	94%
Viola	16	0	3	9	94%
Alto	13	0	3	6	81%
	13	0	3	6	81%
	13	0	3	6	81%
Soprano	13	0	3	7	81%
	13	0	3	7	81%
	13	0	3	7	81%
Oboe, Oboe	13	0	3	7	81%
Harpsichord	24	50	6	8	75%
	24	36	5	8	72%
Tenor	13	0	4	6	75%
	13	0	4	6	75%
	13	0	4	6	75%
Bass	15	0	3	8	75%

30. Aus meines Herzens Grunde, BWV 269.

SDG

1:20	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	10	0	1	5	100%
	10	0	1	5	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice	10	1	5	100%
	10	1	5	100%
	14	0	5	100%
	14	0	5	100%
Soprano/Alto	10	1	5	100%
Tenor/Bass	14	0	5	100%
Contrabass	9	0	4	50%